David Versace is an Australian multi-genre keyboardist, composer and producer based in Meanjin, Queensland. Growing up in a very musical household it was always important to express and embrace all types of music and sonics. His sound ranges from Jazz and Samba to ambient works and the odd dance-floor heater. David also plays in Meanjin nu-jazz dance outfit First Beige.Since late 2019, he has self released around 20 different tracks and with the most recent signing to La Sape Records David is excited to announce his debut solo album 'Okra' a conceptual body of work that flows through a culmination of raw organic concepts conceived In The Moment, and his most elegant & articulated work yet.
Yes Doctor’ is the debut LP from Henry Hicks AKA Horatio Luna. The eclectic Melbourne shape-shifter solidifies his place within ‘house music’ on Yes Doctor as Dub, Jazz & Bruk bleed into one another - stretching further the thread that binds one to the other whilst mapping and exploring the space between.From Horatio:"I have always played music that is a fusion of styles and as ‘Horatio Luna’. I always want there to be a connection to House music. I was exploring the parallels between every style I could think of and mixing it with house. I was pushing aesthetic boundaries, things I felt I hadn’t heard before, searching for new music, 'Not box-able music'. Yes Doctor is a coming of age record. I was pushing myself to the limit musically and challenging myself in every aspect of life".
Reissue of the sought-after deep/spiritual jazz album - the first time it’s been pressed from the master tapes. All analog lacquer by Bernie Grundman.Spiritual Jazz meets spiritual yearning: pianist and songwriter Bobby Hamilton’s magnum opus, his secret, his raw love letter to the music that didn’t seem to love him back.Bernie Grundman resequenced Bobby’s long lost master tape and lacquered this album in an all-analog transfer.Extensive liner notes by Torii MacAdams tell Bobby’s story of battling for deep jazz in the paranoiac polyester-and-cocaine 1970s. He founded the band Anubis in Syracuse, New York, and they put out the single “Ecology” on Charles Bazen’s Salt City imprint (later reissued on Now-Again's Soul Cal anthology). Shortly after issuing that single, Bobby put together the Bobby Hamilton Quintet Unlimited and recorded and issued Dream Queen in 1972.The last clean copy Bobby Hamilton had, he sold to the musician Jamie XX in 2021 for a princely sum. Few originals will ever surface again – its original run of 500 units having disappeared into the ether decades ago. We hope music fans are ready to dream again.
On this double length LP, Phil Stroud offers listeners a diverse selection of instrumental works; the result of numerous writing and recording sessions with close friends in both Boorloo (Perth) and Naarm (Melbourne). A distinct ensemble focus on ‘Apparitions’ allows for the development of modal and rhythmic ideas that have for a long time been central to Phil’s listening and playing. These compositions mark an important development of approach and add new territory to a greater body of music that currently includes releases on Brownswood Recordings, Good Company Records and Deep Water.Underpinning Apparitions is a process guided by an appreciation for the incidental in music. Many of the ideas heard on these recordings began as spontaneous moments of improvisation that were then expanded into detailed arrangements, produced and mixed by Phil — who cites the approaches of Teo Macero, Miles Davis and John Hassel as inspiration for the production techniques on the record. Phil tells us:‘I wanted the experience of working on this music to be a constant revelation; to explore different approaches without expectations, so I developed a process that would lead me on a journey and facilitate the freedom of creating outside my own imagination’.Collaboration has played a significant part in the creation of this music. With many of the musicians involved credited in multiple roles, the ideas are given form by a myriad of instruments, recording techniques and production methods. Composed and assembled using recorded material collected between 2018-2022, Apparitions is a work of perseverance and adaptation that is firmly grounded in a sincere love of collaboration in music.
Dentistry is the dual energies of Rory Glacken and Jack Burton, Boorloo originals now living in Naarm. The pair have previously released an EP, “Ribbons,” on their own Deep Water label, and a track on its local showcase comp “Greenhouse Vol. I” at the end of 2021. This transmission is their debut full length offering, channeled through hometown beacon Good Company Records.“LP1” was created in unusual conditions between September and December of 2020, when the duo’s shared Northcote studio became a site of remote collaboration. One person would start working on a track and leave the session open for the other, with no overlap of physical space shared. Responding to an invitation from GCR to make a record, the initial impulse was to write dance music. But what dance floor were these incorporeal partners writing for?The album takes a spectral approach to the dance space, wrapping up air in a strata of textural tech, pulsing dub house and fractal illbience. Drawing on dub production techniques, "LP1" combines the structure of an ambient record with intricate percussive elements. Results are both atmospheric and material, abstract and palpable: a synthesis which expresses sonic relations of surface and depth, with the correlating mirage of light and shadow.At times tinkering methodically and others in mercurial lurch, there is an immediacy to this album that stems from the way it was produced, using a mixing desk and outboard gear to rich and living effect. When we listen, we commune with the artists in the heat of working out of an otherworldly space, and feel every tweak and and turn. “LP1” is a current which carries the substance of process in communicable form. Intuitive and moving, breathing, dancing.
David Versace is an Australian multi-genre keyboardist, composer and producer based in Meanjin, Queensland. Growing up in a very musical household it was always important to express and embrace all types of music and sonics. His sound ranges from Jazz and Samba to ambient works and the odd dance-floor heater. David also plays in Meanjin nu-jazz dance outfit First Beige.Since late 2019, he has self released around 20 different tracks and with the most recent signing to La Sape Records David is excited to announce his debut solo album 'Okra' a conceptual body of work that flows through a culmination of raw organic concepts conceived In The Moment, and his most elegant & articulated work yet.
Yes Doctor’ is the debut LP from Henry Hicks AKA Horatio Luna. The eclectic Melbourne shape-shifter solidifies his place within ‘house music’ on Yes Doctor as Dub, Jazz & Bruk bleed into one another - stretching further the thread that binds one to the other whilst mapping and exploring the space between.From Horatio:"I have always played music that is a fusion of styles and as ‘Horatio Luna’. I always want there to be a connection to House music. I was exploring the parallels between every style I could think of and mixing it with house. I was pushing aesthetic boundaries, things I felt I hadn’t heard before, searching for new music, 'Not box-able music'. Yes Doctor is a coming of age record. I was pushing myself to the limit musically and challenging myself in every aspect of life".
Reissue of the sought-after deep/spiritual jazz album - the first time it’s been pressed from the master tapes. All analog lacquer by Bernie Grundman.Spiritual Jazz meets spiritual yearning: pianist and songwriter Bobby Hamilton’s magnum opus, his secret, his raw love letter to the music that didn’t seem to love him back.Bernie Grundman resequenced Bobby’s long lost master tape and lacquered this album in an all-analog transfer.Extensive liner notes by Torii MacAdams tell Bobby’s story of battling for deep jazz in the paranoiac polyester-and-cocaine 1970s. He founded the band Anubis in Syracuse, New York, and they put out the single “Ecology” on Charles Bazen’s Salt City imprint (later reissued on Now-Again's Soul Cal anthology). Shortly after issuing that single, Bobby put together the Bobby Hamilton Quintet Unlimited and recorded and issued Dream Queen in 1972.The last clean copy Bobby Hamilton had, he sold to the musician Jamie XX in 2021 for a princely sum. Few originals will ever surface again – its original run of 500 units having disappeared into the ether decades ago. We hope music fans are ready to dream again.
David Versace is an Australian multi-genre keyboardist, composer and producer based in Meanjin, Queensland. Growing up in a very musical household it was always important to express and embrace all types of music and sonics. His sound ranges from Jazz and Samba to ambient works and the odd dance-floor heater. David also plays in Meanjin nu-jazz dance outfit First Beige.Since late 2019, he has self released around 20 different tracks and with the most recent signing to La Sape Records David is excited to announce his debut solo album 'Okra' a conceptual body of work that flows through a culmination of raw organic concepts conceived In The Moment, and his most elegant & articulated work yet.
Reissue of the sought-after deep/spiritual jazz album - the first time it’s been pressed from the master tapes. All analog lacquer by Bernie Grundman.Spiritual Jazz meets spiritual yearning: pianist and songwriter Bobby Hamilton’s magnum opus, his secret, his raw love letter to the music that didn’t seem to love him back.Bernie Grundman resequenced Bobby’s long lost master tape and lacquered this album in an all-analog transfer.Extensive liner notes by Torii MacAdams tell Bobby’s story of battling for deep jazz in the paranoiac polyester-and-cocaine 1970s. He founded the band Anubis in Syracuse, New York, and they put out the single “Ecology” on Charles Bazen’s Salt City imprint (later reissued on Now-Again's Soul Cal anthology). Shortly after issuing that single, Bobby put together the Bobby Hamilton Quintet Unlimited and recorded and issued Dream Queen in 1972.The last clean copy Bobby Hamilton had, he sold to the musician Jamie XX in 2021 for a princely sum. Few originals will ever surface again – its original run of 500 units having disappeared into the ether decades ago. We hope music fans are ready to dream again.
Woke rhythms and high-spirited grooves from the vaults of two seminal Italian jazz labels, between the 70s and 80s. Intensely curated by Khalab.Hyperituals is part of the new research path undertaken by Hyperjazz Records. Entirely curated by Khalab - Raffaele Costantino, HJ’s founder and head of A&R - Hyperituals is a philological investigation that delves deeply into the musical influences and cultural roots of the young Italian label. The theme that runs through Hyperituals is the exploration of the possibilities of sound, rhythm, remix, and endless sampling. Inspiring listening, interpretation, and insight. Is it an exercise in crate-digging that explores the past of some of the most important yet sometimes forgotten record labels and aims to bring to light music that is contemporary both in its sound and its message. The first stage of this journey is represented by Black Saint/Soul Note, an Italian ‘double’ label based in Milan that, since the 1970s and throughout the 1980s, established itself as one of the most important imprints for international jazz.Founded respectively in 1975 by Giacomo Pellicciotti and in 1979 by Giovanni Bonandrini (to whom Pellicciotti sold Black Saint in 1977), Black Saint and Soul Note have represented a safe haven for incredible and brilliant artists who were unable to find their space elsewhere. By combining jazz tradition with the political vanguard sentiment of the time, the two sister labels were able to press and produce more than five hundred records (still available today - the catalogue is now owned by CAM Jazz), many of which are by some of the brightest names in creative jazz or the ‘avant-garde’ of the era. Black Saint and Soul Note always placed the artists, their visions, and their music at the center, giving them total freedom of creative expression. It is thanks to this constant, cutting-edge and meticulous commitment that today we have some of the shiniest musical gems by Sun Ra, Archie Shepp, Don Cherry, Max Roach, Anthony Braxton, David Murray, and many others. And it is this long list of jazz gods and idols that led the two labels to be recognized as the best in the world by critics, winning the DownBeat Critics Poll for Best Record Label for six years in a row, from 1984 to 1990, conquering the American market.This first double gatefold vinyl volume is entirely dedicated to the Soul Note catalogue. Khalab’s selection - focused on rhythms, grooves and Afrocentric traditions - demonstrates how this music, through its sensibility, can renew our connection to the present in unexpected ways. As the curator and music critic Enrico Bettinello writes in the compilation’s liner notes, in this volume “we find moments of ecstasy, irresistible percussive webs, fiery solos, poetic awareness, and magical ritual lyricism.”
On this double length LP, Phil Stroud offers listeners a diverse selection of instrumental works; the result of numerous writing and recording sessions with close friends in both Boorloo (Perth) and Naarm (Melbourne). A distinct ensemble focus on ‘Apparitions’ allows for the development of modal and rhythmic ideas that have for a long time been central to Phil’s listening and playing. These compositions mark an important development of approach and add new territory to a greater body of music that currently includes releases on Brownswood Recordings, Good Company Records and Deep Water.Underpinning Apparitions is a process guided by an appreciation for the incidental in music. Many of the ideas heard on these recordings began as spontaneous moments of improvisation that were then expanded into detailed arrangements, produced and mixed by Phil — who cites the approaches of Teo Macero, Miles Davis and John Hassel as inspiration for the production techniques on the record. Phil tells us:‘I wanted the experience of working on this music to be a constant revelation; to explore different approaches without expectations, so I developed a process that would lead me on a journey and facilitate the freedom of creating outside my own imagination’.Collaboration has played a significant part in the creation of this music. With many of the musicians involved credited in multiple roles, the ideas are given form by a myriad of instruments, recording techniques and production methods. Composed and assembled using recorded material collected between 2018-2022, Apparitions is a work of perseverance and adaptation that is firmly grounded in a sincere love of collaboration in music.
Dentistry is the dual energies of Rory Glacken and Jack Burton, Boorloo originals now living in Naarm. The pair have previously released an EP, “Ribbons,” on their own Deep Water label, and a track on its local showcase comp “Greenhouse Vol. I” at the end of 2021. This transmission is their debut full length offering, channeled through hometown beacon Good Company Records.“LP1” was created in unusual conditions between September and December of 2020, when the duo’s shared Northcote studio became a site of remote collaboration. One person would start working on a track and leave the session open for the other, with no overlap of physical space shared. Responding to an invitation from GCR to make a record, the initial impulse was to write dance music. But what dance floor were these incorporeal partners writing for?The album takes a spectral approach to the dance space, wrapping up air in a strata of textural tech, pulsing dub house and fractal illbience. Drawing on dub production techniques, "LP1" combines the structure of an ambient record with intricate percussive elements. Results are both atmospheric and material, abstract and palpable: a synthesis which expresses sonic relations of surface and depth, with the correlating mirage of light and shadow.At times tinkering methodically and others in mercurial lurch, there is an immediacy to this album that stems from the way it was produced, using a mixing desk and outboard gear to rich and living effect. When we listen, we commune with the artists in the heat of working out of an otherworldly space, and feel every tweak and and turn. “LP1” is a current which carries the substance of process in communicable form. Intuitive and moving, breathing, dancing.
Flying Lotus release 'Until The Quiet Comes,' the long-awaited follow-up to 2010's 'Cosmogramma.'Composed, according to FlyLo, as "a collage of mystical states, dreams, sleep and lullabies", 'Until The Quiet' Comes has the distinct feel of this nocturnal trip.From the twitching descent into a subconscious state and the out-of-focus time-ether of the journey that follows, the sound is an unhinged, yet elegant evolution of the melodic and rhythmic interplay that is woven into the DNA of Flying Lotus' aural personae.The album, featuring guests Erykah Badu, Laura Darlington, Niki Randa, Thundercat & Thom Yorke.
As you may deduce from the title of his latest opus, Steven Ellison - aka Flying Lotus - done just that. Not only has an entirely new range of sounds been unlocked by our intrepid astral traveler, but every genre touchstone associated with his name has been merged into a self-described "space opera."Seamless in execution and too wide in scope to properly describe, it is the authentic embodiment of his unique musical heritage. The spirit of his famed aunt, Alice Coltrane permeates the record, notably in the powerful collaborations with relative Ravi Coltrane, bass virtuoso Thundercat and the brilliant harp prodigy, Rebekah Raff.Certainly these are further reaches into a musical space that Flying Lotus had hitherto been exploring, however other collaborators such as Erykah Badu and Outkast string arranger Miguel Atwood-Ferguson and guest vocalists Thom Yorke and a returning Laura Darlington (featured on Los Angeles' epic closing track 'Inifinitum') help deliver 'Cosmogramma' to dizzying new heights.All this name-dropping, however, is not to detract from the genius of the wizard-like figure behind it all. The most powerful aspect of FlyLo's output has always been it's ability to communicate his boundless love and enthusiasm for music in all it's forms and that is what is boldly on display here.
