Rock

This is the official pressing of the 'The Space Between' the 3rd full length LP from O.R.B. Released September 7th, 2018This is the "WAXING GIBBOUS" edition limited to 1000 worldwideThe record features:- Half and half black and white wax- Foldout poster- Deluxe 350gsm reverse board - Download card The Space Between is a progressive heavy metal album dripping in paranoia and escapism, but let’s not over intellectualise, it's just riffs and drum rolls and the occasional synth. And it couldn’t be better. The Space Between was produced by Stu Mackenzie & ORB.

Skewhiff Limited Edition2000 copies world wideOrange and cream swirly wax with heavy black splatter Deluxe die cut cover printed on heavy 350gsm board with pullout insertHoused in a custom printed 100% recyclable brown cardboard sleeveSharing members across King Gizzard & The Lizard Wizard, Crepes, ORB and Beans, ‘Uncle Murl’ as they’ve been affectionately dubbed, set themselves apart for their signature blend of old-world rhythm, blues and psychedelia, bolstered by the unmistakable vocals and harmonica breakdowns of Kenny-Smith.Forged in their homelands of Victoria’s Surf Coast near Geelong in 2011, across the course of two EPs, five albums, and a dynamic presence on the live circuit, The Murlocs have established themselves as a much-loved staple of the Australian psych and garage scene. \

'With Gusto' Limited Edition - Limited to 500 copies world wide.Off white wax with purple wing effect.Printed on heavy 400gsm with a matte finish sleeve.Comes housed in a hand stamped, 100% recycled custom cardboard sleeve as an alternative to single use shrink wrap.'With Gusto', the sophomore album from surrealist pop outfit, Eggy. Out July 22nd, 2022 this marks the band's first release through Flightless Records. Lavish with opulence and dripping in surrealism, ‘With Gusto’ is a vivid labyrinth of intricate and intersecting worlds, a pastiche of poignant ideas and concepts held together by a taut but jagged thread. Songs that strike with tenderness, and resonate reward through deeper inspection. Taking melodic cues from avant-pop experimentalists Stereolab, with the rhythmic and left field stylings of Krautrock renegades Faust, Eggy fuse these together to forge a sound that is at once fascinating and disconcerting.. As any imaginative odyssey should be. It's got saxophone, strings, sandpaper, synths, carpet, piano, samples, feedback, surrealism and synergy. Pure EGGY.

Limited to 1000 copies world wideORB's debut release, remastered for vinyl for the very first timeTransparent orange with brown and white twister effect waxPrinted on heavy 400gsm matte finish sleeve with deluxe embossingComes housed in a hand stamped, 100% recycled custom cardboard sleeve as an alternative to single use shrink wrap What began as three former garage band mates Zak Olsen, Daff Gravolin and Jamie Harmer (The Frowning Clouds) experimenting with a heavier sound, quickly evolved into a project that has been expanding exponentially ever since.From the great enveloping cosmic dark, ORB realised their maiden long player ‘Birth’. A bio-engineered, proto-metal payload of dystopian sci-fi. Electrodes attached by starlight to a petri-dish, allows pathogens to infect pickups and synthesizers to awaken synapses on ORB’s sophomore project; Naturality (2016).Riding the inertia of Naturality, ORB successfully navigated a massive run of international shows, including huge tours of Europe and a US tour with King Gizzard, including an impressive 11 shows in 5 days at Austin’s South by Southwest.Beautiful echoes of the past/warnings of a dark future permeate ORB’s fourth and most recent release ‘Space Between the Planets’ (2018). Fans of their previous releases feel an immediate pay-off with waves of wah and fuzz drenching globular bass lines and the punchiest of rhythms, poignantly struck. ‘Space Between’ sees the ORB sound diversify, a new face/a new phase of their alchemical sonic signal.

Paranoid Joy Limited EditionLimited 2000 copies world wide.Dark green and yellow galaxy wax.Ultra Heavy deluxe 400gsm board with embossing front and back.Housed in a custom printed 100% recyclable brown cardboard sleeve.Sharing members across King Gizzard & The Lizard Wizard, Crepes, ORB and Beans, ‘Uncle Murl’ as they’ve been affectionately dubbed, set themselves apart for their signature blend of old-world rhythm, blues and psychedelia, bolstered by the unmistakable vocals and harmonica breakdowns of Kenny-Smith.Forged in their homelands of Victoria’s Surf Coast near Geelong in 2011, across the course of two EPs, five albums, and a dynamic presence on the live circuit, The Murlocs have established themselves as a much-loved staple of the Australian psych and garage scene.

Afternoon Sun Limited Edition1000 copies world wideSunset orange and red marble wax Printed on deluxe 350gsm heavy board with matte finishHoused in a custom printed 100% recyclable brown cardboard sleeve‘Changing Colours’, the brand-new album from Babe Rainbow, is a leap forward in every way. The band have consolidated all that is wonderful about their previous music and pushed further in each direction.Think the type of music that was floating down from Laurel Canyon in the early 70s, as Crosby, Stills and Nash waited for Young to wander back from the forest. Think The Beach Boys after they had packed up the surfboards, ditched their LA label, and moved to the hills to practice TM and smoke Californian grass. Think Joni.

This is the brand new 7" single from King Gizzard & The Lizard Wizard. 33rpm on classic black vinyl.

It is well known that comparisons seldom get to the root of the matter, but in the case of Lou Reed, for example, they certainly reveal the unassuredness of those people who made them. Is he or isn’t he the Chuck Berry or Sergeant Pepper of the Seventies, or is he deliberately building up an image of himself as an ultra-sensitive Frankenstein, who lived out his neuroses and drug trips in horrific sound? »Some records are so unbelievably repulsive,« raged the magazine Rolling Stone, »that one would best like to take physical revenge on the artists who commit such offences.«The album "Transformer", however, can by no means be classified as a case of ‘acoustic bodily harm’. It appeared just a few months after the somewhat unsuccessful appearance of Lou Reed’s fairly underground first release and rocketed straight into the charts. This production had two British guardian angels to help it on its way, namely David Bowie and Mick Ronson, both of whom obviously knew how to steer Reed’s songwriting qualities into safe waters, without watering down his biting sarcasm and humorous provocation.And that’s why grating guitar rock ("Vicious") is found alongside a bittersweet, tender ballad ("Perfect Day") and even an old-time jazz parody ("Goodnight Ladies") which is sung with a tongue a heavy as lead. Why then compare this highly original music mix with others, when it’s so much easier to hear this record for what it is - a truly cult album?This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.

To celebrate 11 years of Sydney skate brand PASS~PORT's existence, they have release a small capsule range which includes a limited edition 12" smokey brown vinyl comilation. The Vinyl includes 11 selected Australian tracks from the brand's various video explorations so far!

The fourth studio album from Melbourne’s 7-piece heavy groove combo is an abstruse journey into the darker fringes of instrumental music, drifting from funk to spiritual jazz and through to psychedelic fuzz rock.Inspired by the catastrophic year that was 2020, the bands recording sessions were rescheduled three times due to extended Melbourne lock downs, before finally being recorded in November 2020. The album’s title, The Old World, refers to life before the onset of the pandemic which shattered 21st century humanity’s sense of stability and invincibility. Arcing back to the simplicities and blissful ignorance that existed before the grim onset of empty supermarket shelves, deserted streets and a world locked down.The album begins with psychedelic-soul lament, Death of the Old Gods, before rolling into apocalyptic-dancefloor-fillers Hold Fast to the Void and Abode of the Clouds, then momentarily mellowing out on laid-back number, Never Again. Side 2 opens with Harry Cooper pt II (a tribute to the bands sax player and a follow up to part I from their 2017 album Drinking Water) before launching into brutal and fiery, The Beast, then finally closing with the epic 12 minute spiritual-jazz titletrack, The Old World. The astute listener may also hear sprinkled across the album hints of Afrobeat, Free-Jazz and Stoner-Doom (yep, Stoner-Doom), along with plenty of the bands new favourite instrument, the goat bell.