Open today: 11:00 - 18:00

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Surprise chef
Education & Recreation (Aussie Indie Retail Green Marble Edition)

Education & Recreation (Aussie Indie Retail Green Marble Edition)
Education & Recreation (Aussie Indie Retail Green Marble Edition)Education & Recreation (Aussie Indie Retail Green Marble Edition)Education & Recreation (Aussie Indie Retail Green Marble Edition)

Catno

BC126-LP-C7

Formats

1x Vinyl LP Limited Edition Aussie Indie Retail Exclusive Green Marble Coloured Vinyl

Country

Australia

Release date

Oct 14, 2022

Styles

Funk

Suprise Cher Education & Recreation Funk Soul Library Vinyl Record Records Music Album Big Crown Coburg Melbourne Aussie Indie Green Marble College of Knowledge

Surprise Chef’s music is based on evoking mood; their vivid arrangements utilize time and space to build soundscapes that invite the listener into their world. The quintet’s distinct sound pulls from 70s film scores, the funkier side of jazz, and the samples that form the foundation of hip hop. They push the boundaries of instrumental soul and funk with their own approach honed by countless hours in the studio, studying the masters, and perhaps most importantly, the “tyranny of distance” that dictates a unique perspective to their music.

Hailing from just outside of Melbourne, Australia their first two albums, All News Is Good News and Daylight Savings amassed a die-hard fanbase and brought their sound from their home studio to every corner of the globe. The band is now signed to Big Crown Records, joining a lineage of contemporary and classic sounds that have influenced Surprise Chef’s music since their formation in 2017.


Surprise Chef is Lachlan Stuckey on guitar, Jethro Curtin on keys, Carl Lindeberg on bass, Andrew Congues on drums, and Hudson Whitlock—the latest member who does it all from percussion to composing to producing. Their self proclaimed "moody shades of instrumental jazz-funk" have a bit of everything: punchy drums, infectious keys, rhythm guitar you might hear on a Studio One record, and flute lines that could be from a Blue Note session. But when you step back and take in the entirety of their sound and approach, you'll hear and see a group greater than the sum of its parts.


In many ways Surprise Chef embodies the idiom "the benefits of limits." They were limited in that there weren't many people making or talking about instrumental jazz/soul/funk in Southeast Australia, let alone putting out records. This left them to develop their sound and approach in a kind of creative isolation where a small circle of friends and like-minded musicians fed off each other. "Being in Australia, being so far away, we only get glimpses and glances of this music’s origins," Stuckey says. "But hearing a label like Big Crown was one of the first times we realized you could make fresh, new soul music that wasn't super retro or just nostalgic."


This approach is on full display throughout their new album Education & Recreation. Tracks like “Velodrome” pair chunky drums with an earworm synth line that has all the making of something you would find on an Ultimate Breaks & Beats compilation while numbers like “Iconoclasts” show their knack for tasteful use of space. From the crushing intro of “Suburban Breeze” to the floaty mellow bop of “Spring’s Theme” Surprise Chef has weaved together an album that takes you through peaks and valleys of emotion and provides a vivid soundtrack that will pull you deeper into your imagination. There is a beauty in the vast space for interpretation of instrumental music and they are adding a modern classic to the canon with this new album. Turn on the record and enjoy the ride, wherever it may take you.

Media: Mi
Sleeve: M

$60*

*Taxes included, shipping price excluded

A1

A1 Bakery Pledge of Allegiance

A2

Grinners Circle

A3

Velodrome

A4

Suburban Breeze

A5

Conversation Piece

A6

Iconoclasts

B1

Money Music

B2

Spring's Theme

B3

Together Again

B4

Winter's Theme

B5

Ten & Two

B6

Goldie's Lullaby

Other items you may like:

Few funk groups have had as far-reaching an influence as New Orleans band The Meters, the project of keyboardist/vocalist Art Neville, and the famed house band of Allen Toussaint. During their mid-60s-to-late-70s heyday they released a heavy mixture of instrumental and vocal albums and singles of Louisiana-inflected soul, R&B, and funk music that continues to inspire and marvel, and get covered by groups and artists like Red Hot Chili Peppers, Jaco Pastorius, Widespread Panic, and even The Grateful Dead. A major change occurred for the band, leading up to the release of their 1972 album Cabbage Alley; Josie Records, the label which had long the home of The Meters, went bankrupt. The band left Josie for Reprise Records, which brought a crisp, and slicker sound, as well as a newfound interest in both reggae music, and the works of Professor Longhair. Cabbage Alley featured 10 Toussaint-produced cuts of funky New Orleans splendor, (And even a Neil Young cover) with less of their signature instrumental jams, and more of Art Neville's vocals taking the forefront. It may not have been the widespread success Josie albums like Look-Ka Py Py and Struttin' were, but Cabbage Alley was still a rock-solid collection of funk, and a sign of greater things to come from their time at Reprise.
We’re excited to be launching a new release series: “Melodies Record Club”, a string of DJ and Artist curated mini compilations in loud 12” format!The first instalment was put together by Four Tet, selecting two big peak-time Jazz tracks he used to spin regularly at Plastic People.On one side, we’ve got all time jazz greats Jackie McLean and Michael Carvin’s De I Comahlee Ah, taken from their seminal album Antiquity recorded in Denmark back in 1975. A year and a half ago, we visited Steeplechase, the original label in the outskirts of Copenhagen. They informed us that at the time, the track was cut short as it didn’t fit on the full LP. They were kind enough to provide us with the tape of the full original recording, allowing us to release for the first time the full extended version capturing twelve and a half minutes of studio magic! Speaking with Michael back in November, he told us that every song on that album was recorded without any overdubs. They had taken their shoes off and organised the studio in such a way that they could move from instrument to instrument during the take (!!).On the flip, we have Chris McGregor’s Brotherhood of Breath – MRA. Back in 70s London, the Brotherhood had brought together musicians who had sought refuge from South Africa’s Apartheid regime and the best of a new generation of British jazz musicians. Music Journalist Richard Williams, who had originally reviewed the band in the 1970s tell us: “They made music that appealed in equal measure to the head, the heart and the feet, taking the jazz legacy of Duke Ellington and Charles Mingus and adding to it the fantastic dance rhythms and gorgeous harmonies of the townships and untethered collective improvisations of the new free music”.Kieran’s instalment is out early May in heavy 12” format and digitally (stream & download), first press comes with a folded A2 insert with words from and about the Artists. Graphic design by Atelier ChoqueLeGoff, illustration and animation by Nevil Bernard and for the audiophiles out there, remastered and cut at half speed by Matt Colton at Metropolis Studios!
Asha's 1976 album 'The Devil Is Loose' is maybe her most well-known record. Featuring the beautiful disco-funk-classic 'Space Talk’, Asha's ethereal soaring vocals take us on a journey that almost mirrors Asha's eclectic career. The track was championed by a wide-range of musical scenes and movements, and over space and time it has been commandeered as their own. You would hear it played by David Mancuso at the now ‘mythical’ underground New York party 'The Loft’, in the most discerning disco nightclubs across the globe, in the Rare Groove scene, and also being sampled by hip-hop heavyweights such as The Notorious B.I.G / P Diddy, and The Pharcyde. The appeal and lifespan of ’Space Talk’ keeps on extending and morphing as new audiences gleefully discover it for the first time - it still sounds as relevant and fresh on the dancefloor today - a sign of a true classic.
Both “We Have So much and “Joyous” extremely hard to find on 7”, a power house soul track combined with their much sampled signature jam irresistible here. “Joyous” sampled by Daft Punk, LL Cool J, Janet Jackson, Public Enemy to name a few.