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Jstar UK Dubs Remixes Vol. 1

Jstar UK Dubs Remixes Vol. 1
Jstar UK Dubs Remixes Vol. 1Jstar UK Dubs Remixes Vol. 1








1x Vinyl 12"



Release date

Jan 1, 2006


Media: VG+i
Sleeve: VG+


*Taxes included, shipping price excluded


Ms. Dynamite - Fall In Dub (Again)


Soul Hooligan - Step 1 (Stoop Kid)


One Self - Temptation

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The label imprint of the beloved Berlin based club Paloma delivers its eighth release, and it was created by none other than a vogueing encyclopedia of musical and club culture knowledge (plus a cherished Paloma resident DJ). The disco professor: Daniel Wang.It is his first original production under his own name in many years, and you can easily tell that this is not a tool to join in with dancefloor conformity (after all, his first album was called Idealism for a reason). Daniel Wang had already evolved from innocently enthusiastic sampling to synth wizardry during the heyday of his legendary Balihu label, and while studying the masters, he became one himself.DSDN is an ode to nocturnal Berlin and its party community, a city that never left the centre of international attention for its vital and influential scene. Daniel Wang is a part of it since twenty years, and he was influenced by what he experienced as much as he left his mark on many nights, both as a DJ, and as a producer.Of course, this release follows the traditional structure of a Disco EP by using a main tune DSDN with complementing dubs and instrumentals. Four to be exact, because four is the magic number with this format. DSDN reflects the internationality of the clubs across town in English and German words and pays homage to all the districts, and it effortlessly manages to unite sounds of both 80s NYC and Italo disco, 90s NYC and Italo house, synthpop and rap before it became too successful, balearic vibes before they became a mere excuse, and then it just majestically unfolds into both a charming summer hit and a complex opus magnum, but all an aural sunbeam that blows a kiss to those who emerge from recent sensations in clubs, bars, parks, and streets. Alone or together, happy or sad, resolute or irresolute, tired or energized, or all at once.
Guitarist and Producer Godriguez (producer of Sampa the Great's “The Great Mixtape") marshalled together some of the best musicians of the new generation in Sydney: A head priest of the Cuban Ifa religion, the step-son of Australia’s greatest ever funk and soul musician, Australia's leading drummer in this new generation and a deeply emotionally gifted pianist from New Zealand. These disparate backgrounds culminate with incredibly sensitive musical and emotional connections to form GODTET.From Godriguez: "I’ve always wanted to make a triptych. I got obsessed with Francis Bacon and then wanted to make a musical triptych. When GODTET started I wanted there to be no preconceptions, the music and the sessions. I just wanted it to become what it was going to become and go where it was gonna go. I definitely didn’t plan a three part oeuvre. But here we are…GODTET III feels like the distillation of the GODTET sound. It feels like the essence and definition of our sound... for now. Whilst the whole GODTET concept for me is about organic development and evolvement and to remain always searching, this album feels like the end of an era. Like everything is now for many people I think. Its been 3 years of very intensive playing, recording and gigging. The first record felt like an explosion of our minds meeting for the first time even though we’d all played together for years in various contexts. An explosive release from the lack of freedom in the musical contexts we’d previously been involved in.The second record found us exploring improvising with a sample loop as a launch pad to playing. Marrying the worlds of beat production and improvised band. Then in reaction to only improvising we recorded a through-composed suite. GODTET III saw us return to the beginning where we recorded purely improvised with no sample or composed or preconceived launchpads. It is interesting comparing the first record and GODTET III. Both came from open improv but are quite different. You really can hear a distinct subconscious concept of what the GODTET sound is or has become. You can hear 3 years of intensive playing, recording and gigging. GODTET III is the final album of this initial triptych where the GODTET sound was forged. It is the end of an era. What best sums up GODTET is the fact that at the very same sessions for III we simultaneously were playing and improvising a brave new world for GODTET. You will hear this soon too. But for now let us relish in what has been the culmination of 3 intensive years as we present you the final piece of the GODTET triptych: GODTET III."