Burial
Street Halo

Teleporting himself back into the physical realm for our subliminal listening pleasure, NonEntity’s first full release on Australia's Uncomfortable Beats imprint transcends bass and time. A brainchild of the Melbourne artist alternatively known as U-Wish, ‘Shut Down, Restart’ has been pressed to wax and is being distributed by the UK’s most hallowed dub/bass purveyors, White Peach.Expect mad scientist samples and crackles of artificial intelligence, shot through with ghosts of dubplates past, staggering through deep sludge and sonic space wobble across nine interstellar tracks.Japan-based aerosol artist and designer Benjamin Knock breathed fire and life into the album artwork; a manifestation of the deep seeded connection between the consumption of technology/machines adding to the changing planets current situation and the dark art unfolding for future generations. Maybe we all need to hit "Shut Down, Restart".

“The story behind Shroomz, Guns and Roses came from the pandemic, it was a time I felt deep in nature and studying of zen, I felt like the pandemic brought out a darkness in me, and I combatted these negative thoughts with nature and mushrooms to create a balance in my life spending time in the mountains of Alabama and Asheville, North Carolina. I chose “guns” and “roses” as a way to juxtapose the violence we’re experiencing in the USA with the peace of mind a rose can bring as a balance in life. Music makes its way through these tough times we’re all facing, and to me, music is that rose. I paint a canvas of my emotions through synthesizers and drum machines to show the world balance can be found through even the toughest of times.”

The 35th anniversary reissue of legendary Canadian/American singer, composer, and transgender activist Beverly Glenn-Copeland’s beloved seminal work. A synth exploration way ahead of its time, combining the essence of new-age minimalism, early Detroit techno and traditional song writing.Keyboard Fantasies was originally self-released on cassette tape in 1986 and was recorded entirely on a DX-7 and TR-707 in the northern Canadian town of Huntsville, ON. Largely over-looked by the mainstream media, it caught the ear of a Japanese collector who contacted the artist in 2015 asking for copies to sell; they sold out instantly. This is only the second time the album has been repressed.