Mr Thing Chris Read
The Library Archive 2 (More Funk, Jazz, Beats And Soundtracks From The Archives Of Cavendish Music)

Gyedu-Blay Ambolley and Hi-Life Jazz is the new album from revered Ghanaian highlife and Simigwa Do exponent Gyedu-Blay Ambolley, known for his deep, soulful, and funky highlife sound and sometimes referred to as the “James Brown of Ghana.” Gyedu-Blay Ambolley and Hi-Life Jazz jumps right out of the blocks with 3 straight-up, groove-laden highlife numbers in Sankumagye, Yekor Ye A Yea and Enyidado, a spontaneous mix of Afro-soul and groove with Ambolley's deep tonal and vocal interventions giving a sense that the influence of Afro-American soul music is never far away. Things continue to heat up as the maestro and bandleader approaches various songs from the songbook of classic modern jazz. The rhythmic pulse within each standard is pushed and pulled, ensuring the original is recognisable yet rooted in Ambolley's ancestral home. In John Coltrane’s Love Supreme he proclaims “John Coltrane said love is supreme & we heard him in Africa very loud and clear.” Taking a very different but direct approach filled with Ghanaian swing Ambolley matches the colours and energy with a rhythmic dexterity and an African spiritual sensitivity that immediately draws you in, allowing a space for the spiritual to rise. The Wayne Shorter classic Footprints receives a similar treatment - it's a toe-tapping workout that leaves you wanting more. Round Midnite, a Thelonious Monk staple, has been covered so many times as a ballad yet here Ambolley gives things an uptempo re-work, a wholly unique inception that makes total sense when you hear it. All Blues by Miles Davis is a well-loved staple of jazz players the world over and is known as a vehicle for endless improvisations and here, in the hands of this master craftsman, is a mesmerising and unapologetic dance floor journey.

On October 15, 1965, tenor saxophone master and composer Wayne Shorter recorded The All Seeing Eye, a brilliant and ambitiously multi-layered album for Blue Note. Shorter’s goal for the album was to use “a wider range of colors and textures” while continuing his explorations of “life and the universe and God.” Joining Shorter in his quest are Freddie Hubbard on trumpet, Grachan Moncur III on trombone, James Spaulding on alto saxophone, Herbie Hancock on piano, Ron Carter on bass, Joe Chambers on drums, and, on one track, Wayne’s brother Alan Shorter on flugelhorn. Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio), and vinyl is manufactured at Record Technology Incorporated (RTI).

We’re excited to be launching a new release series: “Melodies Record Club”, a string of DJ and Artist curated mini compilations in loud 12” format!The first instalment was put together by Four Tet, selecting two big peak-time Jazz tracks he used to spin regularly at Plastic People.On one side, we’ve got all time jazz greats Jackie McLean and Michael Carvin’s De I Comahlee Ah, taken from their seminal album Antiquity recorded in Denmark back in 1975. A year and a half ago, we visited Steeplechase, the original label in the outskirts of Copenhagen. They informed us that at the time, the track was cut short as it didn’t fit on the full LP. They were kind enough to provide us with the tape of the full original recording, allowing us to release for the first time the full extended version capturing twelve and a half minutes of studio magic! Speaking with Michael back in November, he told us that every song on that album was recorded without any overdubs. They had taken their shoes off and organised the studio in such a way that they could move from instrument to instrument during the take (!!).On the flip, we have Chris McGregor’s Brotherhood of Breath – MRA. Back in 70s London, the Brotherhood had brought together musicians who had sought refuge from South Africa’s Apartheid regime and the best of a new generation of British jazz musicians. Music Journalist Richard Williams, who had originally reviewed the band in the 1970s tell us: “They made music that appealed in equal measure to the head, the heart and the feet, taking the jazz legacy of Duke Ellington and Charles Mingus and adding to it the fantastic dance rhythms and gorgeous harmonies of the townships and untethered collective improvisations of the new free music”.Kieran’s instalment is out early May in heavy 12” format and digitally (stream & download), first press comes with a folded A2 insert with words from and about the Artists. Graphic design by Atelier ChoqueLeGoff, illustration and animation by Nevil Bernard and for the audiophiles out there, remastered and cut at half speed by Matt Colton at Metropolis Studios!