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A1

Explorer

03:12

A2

Draw Me

06:03

A3

Culto

05:10

A4

Burning Palms (Saudade Edit)

05:49

A5

Phones

02:19

B1

Phase Lines

05:22

B2

Yahuda

07:31

B3

On Ay

05:26

B4

Zeta

05:05

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Tartelet Records (TARTALB013)

1x Vinyl LP

Release date: Jun 12, 2020, Denmark

Embarking on a journey from Italy to Anatolia and from Africa to the Americas, Nelson of the East soars over imagined landscapes in his debut, motion picture-inspired album, Kybele. Plug in your headphones, drown out the world, and set out on a mystic voyage of Earth through the lens of Kybele, the Anatolian goddess of wild nature.

With the world in flux and isolation taking its toll, musical escapism has become a much needed pastime for today’s armchair adventurers. Treating recorded sound as a vehicle of time travel, Milanese artist Nelson of the East (N.O.T.E) takes listeners on a journey through kaleidoscopic soundscapes with his debut album Kybele released on Tartelet Records. Skillfully weaving the sounds of East and West, the nine-track LP fuses Turkish and cosmic influences with a strong electronic backbone into an otherworldly soundtrack of our time.

“The feeling that passes through the record isn’t straight. It changes, it turns, it is never predictable. Never being able to predict which landscape you arrive at next or where the music is taking you is key to enjoying the sound journey,” says Nelson. “While I was composing Kybele I collected a lot of influences during my travels and I’d like to think that this is the reason why my album sounds like a journey,” he adds.

Named Kybele after the Anatolian goddess of nature, fertility, mountains, and wild animals, the record is a continuous saga that takes from the Berlin-based artist’s own adventurous spirit. Following his previous EP releases Night Frames and Phase Alternating Lines, Nelson explores new territories on Kybele. The album opener, “Explorer,” is an exhilarating build up to what could be a 80s sci-fi movie, showcasing Nelson’s knack for cinematic moods. “Draw Me,” speaks to the artist’s intention of making a “snare album,” with an irregular, dominating beat untethering it from time or boundaries.