Pacific Blue
Argentina Forever

Beautiful private gospel modern soul album, now hard to find. Finally available again, fully licensed and remastered, with original artwork.Recorded sometime in the late 1970s, and previously only available as a private press release on a tiny Maryland label, "Miracles" is the sole album from gospel preacher/singer Reverend Norman Weeks and his backing band, the Revelations. Little info is available, though if the modern soul end of gospel is your thing it's well worth picking up. As you'd expect, the vocals from Weeks and his collaborators are soulful and righteous, while the accompanying music is impeccably played and surprisingly well produced given the likely budget constraints. Highlights include the heavy funk-soul strut of "It Took A Miracle", the Bob James-influenced brilliance of "I Wanna Sing For You" and fizzing LP opener and bona fide dancefloor rocker "I Will Stand On It".

“Garrett III is more of a swan project. A final installment, if you will. Garrett is now retreating more deeply, as evident by the album cover by Gang Culture into obscurity. The time has come for a landing via this 3rd installment of his ‘private life’. After surviving a lockdown x worldwide pandemic in 1 piece, without going insane, he has finally decided 2 conclude this phase of his tightrope walk between lush Ambient touched Modern-Funk & the choice of no vocals / strictly instrumental aural experiences, for listeners of all hues, backgrounds & taste. The hope is that it’s enjoyed in whatever way feasible for all human (& alien) kind.”

The elusive gemstone of 1970s Harlem soul and funk from the Ray Alexander Technique – officially reissued for the first time!Renowned for its enviable combination of musical muscle and malleability, guitarist/songwriter Raymond Alexander Jenkins' tight four-piece unit was so revered on the uptown club circuit that it was offered the opportunity to serve as the Apollo Theater house band. Jenkins demurred, hopeful and confident in his group's chances at making it on its own, and Let's Talk is the sublime result of their hard work. Independently released and recorded with a distinctly lo-fi charm, it is a collection of unabashedly sincere songs that perfectly encapsulates the era's heady milieu of Black pride and cultural awareness, and the plaintive emotion of struggling to realize dreams whilst navigating a city and neighborhood in decline. Personal tragedy coupled with Jenkins' inability to gain traction as a musician, would haunt him for years. But Let's Talk's reputation would eventually spread via word-of-mouth praise amongst soul and funk connoisseurs and record collectors. Now elevated to exalted status, it may finally be more widely appreciated as a testament to Jenkins' gifts.