Cause 4 Concern
High Down / Strange Nature

The Override Switch gives control back to the musicians. Unrestrained and unshackled by the semiotics placed by conventional dance music, it looks to a frontier beyond what is conditioned by genre.  By infusing the mercurial elements of jazz, it gives electronic instruments the avenue that it always had the potential to travel down; as an unrestrictive genre, exploring the boundless possibilities in which it is capable. It looks to innovation and transcends what has come before; it is a switch in a practical sense, overlooking its past before switching to the future. The album combines the talent of two Detroit natives: Jeff Mills and Rafael Leafar. The latter is a multi-instrumentalist with a strong affiliation to jazz music. His tastes and skills are malleable across a plethora of genres, taking influences from his father and sisters from a very early age. He honed his craft in Sterling Heights High School, DSA, Detroit Civic Jazz Orchestra, & The New School for Jazz. Later developing his music in New York, he has performed with Reggie Workman, Marcus Belgrave, Vincent Chandler, and Jeff Tain Watts. In 2016 he moved back to Detroit, where he met Mike Banks from Underground Resistance, and they began to experiment on music together. Through Mike Banks, he was introduced to Jeff Mills, where the idea for The Override Switch began to manifest.The connection to Mills was evident from their roots, as Detroit musicians are engrained within musical development. Axis records and Jeff Mills have embarked on a journey through electronic music, amalgamating it with live instruments to develop the future of sound and genres. Previously, Mills has combined with the likes of Jean-Phi Dary, Tony Allen and Spiral Deluxe to indulge in an electronic jazz sound. However, The Override Switch gave an unprecedented opportunity to develop a sound within an undisturbed environment, to push something representative of the 21st century. It removed the microscope and fell into place naturally.  The album is a homage to artists like John Coltrane, J Dilla, Kraftwerk and those who inspire experimentation with what can be evoked through music. The track 'The Sun King' perfectly exemplifies this. It flows from the spirit; music pours out like the River Nile as it rises and descends its banks. It represents the day and potential it brings; how the light should be cherished and worshipped for its energy. The soul is encapsulated by the combination of percussions ensnared and buoyed by the enchanting, beguiling and immersive horns and flutes.

"A Bangin South African bubblegum tune, with house club mix on the flip!"The start of the 90's brought the final wave of House music that would cement it as the future of South Africa’s music scene. In the years leading up to the new decade, Disco had already naturally evolved into the very early stages of what would become South Africa’s signature House sound, with Instrumentals and Dub Mixes earning themselves spots on the Pantsula records leading the charts of the late 80s, it would be an influx of remixes appearing on import singles that would make the “House mix” the premier b side sound for those bubblegum artists trying to stay relevant in the 90’s.The House remixes coming from Chicago and New York dominated the airwaves at first, eventually gaining genre status by the later part of the decade as International House or just International for short. At the time this would have been synonymous with House music everywhere else in the world. After a years of these tracks getting remixed by the touch of the local talent, International no longer fit the description of what the music was and Kwaito became the sound of the streets. In the studio, Kwaito was the sound of the next generation of producers that was coming up under the Disco legends of 80s. In total it took less than 5 years total for the sound to evolve. It would be in this transition period between International and Kwaito, with the help of the new wave of studio talent, that we find the ingredients that gave birth to a short lived yet unique African House sound.After a long career with the soul group The Savers, Morgan Kwele cut two solo records under his own name in the late 80’s. Without much success and after being dropped by EMI, Morgan was picked up by Peter Snyman and independent Sounds of Soweto. At the time it was becoming a premier label for the emerging house sounds. M’du and Joe Nina would both end up working at Snyman’s studio, and it would be their collaborating project LA Beat that would launch their respective careers further. For his new album Morgan would team up with legendary producer and long time friend from the 70s Koloi Lebona. They would work together once more and record what most likely became Morgan’s final Album. The title track Vakonwana became the lead single, with the original bubblegum version on the A side for the old timers and the Club Version on the flip for the late nite parties.

Psychic Mirrors are a six-piece band from Miami, FL, whose music is an amalgam of yacht rock/AOR, boogie-funk and wavy synth jazz.A washed-up Hollywood composer gets his last chance at stardom when he is employed at a once-hot but now failing television network. 19 new chart topping hits from the romantic comedy of the year! Now available on Double vinyl! The Miami Star Reporter calls it "Hilarious, daring, provocative, unquestionably a new step forward in album marketing campaigns." Printed on high quality deluxe gatefold jackets and 150g vinyl.