Reflec
BHM

Trans-Europe Express (German: Trans Europa Express) is the sixth studio album by German electronic music band Kraftwerk. Recorded in mid-1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. It saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes include celebrations of the titular European railway service and Europe as a whole, and meditations on the disparities between reality and appearance.Trans-Europe Express charted at 119 on the American charts and was ranked number 30 in The Village Voice's 1977 Pazz & Jop critics' poll. Two singles were released: "Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continues to receive acclaim. In 2014, the Los Angeles Times called it "the most important pop album of the last 40 years".

A Periplus around mediterranean savors from Pellegrino on his debut mini-album, a multi-flavored cocktail of fast-moving disco groovers, spacey jazz-fusion experiments and sun-bleached funky melters.

‘Twoism’ retains a cult status elevated above even Boards of Canada’s sought after albums and the pressing to vinyl of this early EP as part of the duo’s series of repressings from Warp seems long overdue. From the opening distant chiming synths of ‘Sixtyniner’, which settle within faded hip-hop beats, this is music that exerts a rare and magical power through sounds that suggest and entice.‘Melissa Juice’ displays a sense of depth one would have thought impossible to achieve with the naïve sounds employed, as two Tomorrow’s World synths delicately wrap around one another and a degraded shuffle pins down this ambiguous and understated texture. The title track allows the percussion to dominate more, with slowly undulating synth pitches inducing a sea-sick melancholy, while in ‘See Ya Later’ melodic elements appear to be continually receding into the distance with synths so saturated by tape decay that they sound like memories of orchestral brass. It’s tough to pick highlights from such a commanding set of tracks, but, if pushed, one might turn towards the destroyed breakbeat stutters of ‘Basefree’ or closer ‘1986 Summer Fires’, which must rank as one of Boards’ most powerful ambient cuts, where a plaintive synth chorale appears to decay on itself as tape distortions subtly accumulate.

The coming together of Jeff Mills and Jean-Phi Dary came from a collaborative project with the late great Tony Allen and created chemistry instantly. Both being cognizant of the skilled innate improvisation that was happening in small jam sessions, they conceived the concept for their collaborative project: The Paradox. They believed that this uncompromising freedom and the manifestation of new ideas allowed them to reach a higher level of spiritual consciousness within their work. Recorded in real-time; these compositions reflect captured spontaneous actions which concede honesty and truth.