Casanovas Revenge
Let's Work

Between producing landmark albums with the likes of Azymuth, Marcos Valle, and Sabrina Malheiros, recent years have seen Daniel Maunick flourishing as a solo artist with acclaimed releases on Eglo Records, Mother Tongue, Visions, AKO Beatz (under his Dokta Venom alias), and of course, Far Out Recordings. His sophomore solo album Persistence is an exemplary culmination of the momentum Maunick has built since his 2019 debut Macumba Quebrada, which earned support from Moodymann, Benji B, Gilles Peterson, Ron Trent, Palms Trax, Derrick Carter and Moxie to name just a few.Since collaborating with Shy FX for his first ever release at the age of fifteen (a now impossible to find single sided jungle acetate), Maunick has remained embedded in the fabric of the culture, from early work for the legendary Talkin’ Loud label to notching credits with Terry Caliier, Paul Weller, Ski Oakenfull, Brenda Russell, and his father’s legendary brit-funk outfit Incognito. And for almost two decades he’s served as producer for a long string of classic and future-classic Far Out albums, most recently Alex Malheiros' Tempos Futuros.As on his previous Far Out opuses (most recently the Musica Encantada EP), Persistence sees Maunick continue to playfully use foundations of traditional afro-brazilian rhythms, heard in the sultry samba swing of 'Arraiá', the pulsating batucada enveloping the bassy synth stabs in “Remnants of Joy”, and spectral cuicas throughout the blissfully bumping ‘Illusions’. But going beyond his trademark nods to Brazil, he reflects on his junglist roots with the emotionally charged ‘Love Is Gone’, and flexes his deep house muscles with the late night magic of ‘Just Deserts’ and ‘Addicted’. The sheer variety on show is testament to the wide scope of influences and experiences Maunick has accumulated and absorbed in his career to date. It’s also evident that after years spent with jazz funk masters like Azymuth and Incognito, as well as hitmakers like Marcos Valle, Maunick has reached a new calibre with his compositional prowess alongside his astoundingly accomplished studio skills. Persistence is a modern classic by a veteran at the peak of their powers.

2006’s ‘Trans Canada Highway’ is a crucial EP which explicitly referenced Boards of Canada’s Kraftwerk connection once more, serving to reconnect that link in the wake of 2005’s guitar-led ‘The Campfire Headphase’. If 2002’s ‘Geogaddi’ seemed to reinterpret the nuclear dread of Kraftwerk’s ‘Radioactivity’, then ‘Trans Canada Highway’ connected with the open road optimism of ‘Trans Europe Express’, led by the summery ‘Davyan Cowboy’, where flanged guitars and earthy hip-hop beats promise to roll on forever until the sunrise.‘Skyliner’ pushes together Boards’ familiar elements into a mixture which is taut and propulsive, rather than introspective. The track’s synths swell in and out imparting a momentum that has more in common with house music than tripping hip-hop, while layers of rippling pitched percussion recall Talking Heads at their finest. ‘Heard From the Telephone Line’ is a classic pensive ambient cut from the duo, but feels shot through with a wide-eyed hope which on other records is either absent or subverted, while ‘Under The Coke Sign’ equally emphasises a sense of an expansive motorway landscape in all its wonder. It is the concise focus of the EP which further makes it a unique release within Boards of Canada’s output, creating a sense of endless travel not through mere depiction but by offering the listener sharp glimpses of distinct moments, untempered by the more sinister subject matter which dominates much of their work.

The first Occult Orientated Crime (aka LEGOWELT) album on Nightwind Records and now on vinyl thanks to Solander Record Company! Extremely trippy PRO ambient not just some jumbled up random chiliwave overcompressed 80s retro soggy biscuit jerkoff --- this is PROFESSIONAL AMBIENT - 100% psychedelic drug music with perfectly finetuned selected frequencies to alter your state of mind and take you to complete loss of subjective self-identity: the result of years of experimentation and research.