Charlie Byrd
Bossa Nova Pelos Passaros

Following on from his recent string of exceptional all-solo albums, Mysticism of Sound, Ancient Africa and Afro Trane, Nat Birchall releases his first new studio recording, Spiritual Progressions, with his current working group, Unity Ensemble.This group consists of long time musical partner Adam Fairhall on piano, plus the bassist in Nat’s group for several years and albums, Michael Bardon, and a welcome return on drums by Paul Hession who recorded on the legendary Live In Larissa double album. Rounding out the five-piece ensemble is percussionist Lascelle Gordon, a mainstay of the London music scene for many years. Nat says he chose the name for the group because “This particular group of musicians has a very unified sound, each player has a very individual sound and concept but they all come together in this group and blend incredibly well. Making music with this band is pure joy.” The album features four tracks, all composed by Nat, which beautifully illustrate Nat’s comments. The first track, Unity, speaks for itself and the cohesion of the group sound, each instrument adding to the overall vibe with no hint of grandstanding or musical one-upmanship. Lokumbe is named for the legendary trumpeter and composer/bandleader, Hannibal Lokumbe, formerly known as Marvin Peterson, who is one of Nat’s musical heroes, keeping the flame of soulful, spiritual and far-reaching music alive for many decades and still going strong. Nile Valley is so titled because, as Nat explains “This song made me think of an ancient Egyptian Royal barge moving along the river Nile, in a slow and stately fashion.” The unhurried pace of the song and genuinely colourful sounds from all the instruments really bring this image to life in the mind of the listener. The final track, Sun in the East, is about “new beginnings, figuratively speaking, like the sunrise in the East every morning, each day bringing a fresh opportunity to renew our resolve to progress in different ways, or even to start again from scratch. It’s never too late to make a change or to begin a journey.” The album was recorded live in the studio in Manchester, then Nat overdubbed some percussion and other instruments, mbira, balaphon, wood flutes etc, to add some extra textures to the musical canvas. As Nat says “Music and painting have many things in common, and I tend to think in terms of musical colours and textures when composing or arranging songs. As with a painting, balance is very important when making music, and this group is the most beautifully balanced group I’ve ever had the pleasure of working with.”

The word asterism comes from astḗr (ἀστήρ), the Ancient Greek word for star. In astrology, an asterism is a pattern of stars (that is not a constellation) and can be seen in the night sky. In meteorology, an asterism indicates light snowfall. In typography, an asterism is a symbol consisting of three asterisks placed in a triangle: ⁂. The symbol is a type of dinkus that can be used to divide text to emphasize a passage or a sub-chapter in a book.Sven Wunder celebrates this space in-between by offering a brief hiatus in a gently tinkling jazz-waltz comprised of two variations for small ensemble, that calls attention to the starlit sky and the light falling snow, before resuming.

The album was composed and produced by Sam Shepherd aka Floating Points, whose sophomore album Crush was named Best New Music by Pitchfork, appeared in the New York Times, and placed him on several 2019 critics lists. His debut album Elaenia, released on Luaka Bop, was also named Best New Music and hailed as one of the best debuts of the decade. It is also the release that brought Pharoah Sanders to work with him. Shepherd is a restless, ever-evolving producer and composer who has toured with The xx and also holds a PhD in neuroscience.For Pharoah Sanders, who recently turned 80, this is a rare outing and his first album in fifteen years. One of the last icons of his generation, Pharoah played with John Coltrane on his late free jazz masterpieces and released a series of expansive recordings under his own name for the Impulse! label, cited as a key influence by everyone from The Stooges to Marvin Gaye.

Tramp Records continues their pilgrimage to the soulful fringes of spiritual jazz and progressive rock and funk with their 3rd and 4th volumes of their "Peace Chant, Raw, Deep and Spiritual Jazz" series, and the world could not be more ready.Volume 3, the first LP, features artists who use their medium to welcome the return of the sacred feminine as in Lenny Marcus Trio's Mother's Day, and speak on afrocentric themes like Roland Hayes with his heartfelt Africa The Beautiful. Mineral King renders epic orchestral rock while Natural Life takes us even further on a ten-minute epic quest from a progressive fusion head, to searing tabla, into virtuosic guitar jamming and finally dropping into heady fuzz-soaked riffs and free-jazz fusion with their theme song. Rama Dyushambee sings a devotional song about divine source and healing, while Jule Farmer's Muhammad Ali stands strong at the crossroads between black spirituality and black power. Black Is provides a vibey lo-fi flute jazz meditation in their Themes and Variation while The Supa Lowery Brothers provide the requisite hard modal freedom funk.Peace Chant is the center of the mandala, representing the nucleus of the post-bop, modal jazz, avant-garde, transcendental, spiritual, ethnic, and freedom music universe without necessarily suggesting anything immediately identifiable as any of the above. This is the soundtrack to the raising of human consciousness and the salvation of society's very soul.