Plastician
Dreading

Re-issued for the very first time. Up until now the Captain Mosez 12" remained a highly sought after S.A. disco obscurity ( apparently going for the big $ on the collector market), but Afrosynth do the right thing in the right way and bring this edition for us all to enjoy.In 1985 a young musician named Moses Mafiri walked into EMI Studios in Johannesburg. Working with Selwyn Shandel, then one of the label’s prolific in-house producers, the two tracks they recorded – ‘Fly Cherry Fly’ and ‘Hey! Hey! Hey!’ - reflect the range of international influences in South Africa’s burgeoning ‘bubblegum’ sound – Italo disco, electro-funk, even rock.

Brian Ellis returns with his most personal and well-rounded LP yet, “Deep Clues”, an 8-track project seamlessly encapsulating elements of funk, soul, adult-oriented rock (AOR), boogie, and electro.

long overdue reissue with rock city pioneer Billy Jones.. here's what he had to say about his crew....in the early 80's Billy Jones was the lead guitarist for an outstanding group of touring musicians who called themselves 'The Incredible Rock City Band'. They performed on military installations all over the United States for the U.S. Dept. of MWR for more than ten years during the 80's and 90's. ...I'm sure that there are many veterans out there who remember seeing this band at NCO and Officer's clubs back in the day.

Eddie C is a long time friend of MotorCity Wine, and his debut on the label is long overdue. Eddie’s prolific production and DJ prowess shines bright on this 4 track EP with a track for all the joyful moments. The A-side is uptempo, leading with the effervescent “For The People”— it’s a dose of musical prozac get you dancing wherever you might find yourself. Next Eddie taps in west coast Canadian producer Murge for “Pacific Jam”, a more moody and jazzy affair, with plenty of club bounce. On the B-side Eddie slows down the pace, starting with the midtempo roller “Ama Zone”, an afro-acid-cosmic workout for late nights and sunrises. The release closes with “Dubbing Into Darkness”, a beatdown cut with Eddie’s signature reggae bump to nice up the function.