Pharoah Sanders
Pharoah

For almost thirty years the conductor Abigail Cecílio de Moura led the Orquestra Afro-Brasileira, donating their effort as if it were a religious devotion. Before each presentation, he acted like a priest giving thanks, raising the stage for sacred space. The Orchestra was founded in April 10, 1942, with the purpose of studying and disseminating folk music and Brazilian customs, using sociology and anthropology to disseminate it. Mainly based on percussion instruments, at the time called barbaric, plus the civilized instruments: piano, sax, trombone. This album was originally released in 1968.

Meditations is GODTET diving into our own minds, journeying together, by ourselves to where we wanted at the time to go.. There was a definite sense of wanting to abandon (albeit all unspoken) any of GODTET’s previous vibes and any other musical contexts we all often exist in. It is definitely a world where we, the musicians, can create a starting point and see where our minds take us. We wait either for ourselves or each other to see where we’d like to journey (or not journey) at all and be happy to sit put in one place for a while. The Meditations are almost a reaction; A protest? - To having to do the normal thing as musicians we’re expected to do (Make a big good exciting thing now!) If anything it's a blueprint for the future of the GODTET “sound”, it is to be unexpected. “Expect the unexpected” is quite the cliche yet it’s probably the most fitting for what I foresee the GODTET future as sounding. Unbound by any expectations or contexts or having to repeatedly play music in any certain way - it feels almost like a manifestation of our freedom and personal agent to not be beholden to anything as musicians. Meditations is the most open statement and platform GODTET has produced to date. Wiping the slate clean, this erasure allows us infinite possibilities.. Anywhere and everywhere to go from here... To be definable or restricted is the antithesis of what GODTET is about. GODTET PLAYS FOR ITSELF. Our own curiosity, pleasure, introspection, play, ourselves. 

The Tenderlonious led jazz quartet Ruby Rushton and their 22a imprint have been at the forefront of the UK jazz scene since the release of their debut album Two For Joy in 2015. The band transport you back to the 70s Headhunters era, whilst still adopting the spiritual concepts of John Coltrane and Yusef Lateef. Audiences can expect to be treated to high energy compositions, fusing flavours of afro beat, hip hop, and Latin jazz.Both Trudi’s Songbook Volume One and Two were met with mass acclaim in the summer and autumn of 2017. They received regular airtime and support from DJ’s, tastemakers and radio stations across the world, including Gilles Peterson, Benji B, Bradley Zero, Jazz FM, BBC Radio 6 Music, Worldwide FM, NTS and many more. The huge support for the albums led to Trudi’s Songbook: Volume Two being nominated for Jazz album of the year at the 2018 Gilles Peterson Worldwide Awards.This limited edition 2xLP deluxe gatefold issue of Trudi’s Songbook: Volume One & Two closes this chapter for the band and paves the way for new material.

Utilising frozen signals, granular synthesis, field recordings and a largely improvisational approach on various instruments in order to create vast, shifting soundscapes, A View From the Bungalow offers a slowly unfurling, meditative reflection on a year thrown into turmoil and forced into stand still. Each part of this suite is inspired by finding the fleeting moments of escape and beauty from an unending cloud of uncertainty. From a bungalow in Thornbury, to the rugged coastal expanse of Urquhart's Bluff, through to the brief respite offered by Darebin Parklands.Improvisation and composition dance around each other cyclically as this album is played out. The tactile and haptic sensations of the bow drawn across the strings of the double bass are echoed by the synthesis of captured sounds - both acoustic and electric - and signal processing; new life is breathed into these various instruments as the ability to swell and grow past the point of decay is introduced. All underpinned by the ubiquitous found sounds of the great Australian landscape.