Open today: 11:00 - 20:00

Pure Soul
I Want You Back

I Want You Back

Artists

Pure Soul

Catno

0-95703 0-95703 0-95703

Formats

1x Vinyl 12" 33 ⅓ RPM Single

Country

US

Release date

Jan 1, 1995

Media: VG+i
Sleeve: VG+

$3*

*Taxes included, shipping price excluded

A1

I Want You Back (LP Version)

4:13

A2

I Want You Back (Track Masters Everything's Lovely Mix)

4:01

A3

I Want You Back (Acapella)

4:13

B1

I Want You Back (Track Masters Street Mix)

3:45

B2

I Want You Back (Track Masters Everything's Lovely Mix Without Rap)

4:01

B3

I Want You Back (Everything's Lovely Instrumental)

3:57

Other items you may like:

The first single taken from the forthcoming Hiatus Kaiyote LP on a funky 12" featuring the full version, instrumental, accapella, samples & locked groove loops for the heads & beatmaker enthusiasts. The track features Brazilian music legend Arthur Verocai. Pressed right here in Melbourne! Also comes with a page of SHEET MUSIC inside the 12"!
Cloud’s sought after Brit-Funk classic ‘All Night Long’ remixed by GE-OLOGY from the original studio tapes for a two-track 12” featuring main and extended dub versions.“Remixing these rare classics is so great, gems I’ve been playing out in clubs for years and then getting to work from the tapes to create something new is a special thing,” says Geo.Originally released in 1980 as a white label single, Cloud’s debut was the first in a handful of titles released by record dealer, label owner and producer Alan Osborne.In the early 80s, Swindon Town’s Flashback Records shop was a major hub for the local jazz-funk scene, supplying DJ’s and punters the latest US imports across the West Country. Ran by Alan, an avid record collector and DJ, he’d started the business from his bedroom in the mid-70s before setting up shop in the town specialising in oldies.“That was just around the time of the start of disco and punk and I was contacted by a shady guy who used to sell stuff to me out the back of a van. So I began to get a reputation for stocking all the latest disco and funk imports, which started as a sideline but gradually changed the nature of the business, though I still kept the name” (Alan Osbourne from Record Collector interview, Oct, 2020)He got involved with Cloud after a band member who was a regular customer brought in a demo tape for consideration and it went from there. Alan explains, “We recorded the original of ‘All Night Long’ at Tudor Studios in Swindon. It was quite a new set-up at the time ran by some metalheads who were keen to hire out the studio. When we were there they thought the music we were making sounded pretty strange, they said they’d heard nothing like it before ... I think it was also pretty unique at the time for a jazz-funk band to be from outside London or Manchester so it was worth promoting that. The west country was pretty big on jazz-funk but largely neglected.”Whilst Cloud was generally a live band playing mostly covers, the musicians wrote their material for the studio recordings, with Alan producing, arranging and tailoring the final mixes for club playback. As the band line-up changed, this formula continued for several singles appearing across various labels including his Rygel Records venture featuring Cloud offshoot Style X as well as various new wave and punk bands.
Deity, the debut album by Melbourne-based vocalist and songwriter Emma Volard, is a record of tensions: caught in the push-pull between light and shade, joy and sorrow, chaos and order, it’s an album that draws power from the divine messiness of the human experience. Synthesising acid jazz with modern R&B, dub with pop, and future soul with old-fashioned grooves, it’s a statement of profound artistic intent for Emma: a 12-part journey of self-expression and hard-won self-determination that combines the classic and the cutting edge to build something sleek and scintillatingly new. “This album is a revolt against oppressors, particularly those in the music industry — an f-you to anyone who tries to tear us down,” she says. Cathartic, vulnerable, and deeply, defiantly empowered, it’s a definitive document of feminist soul: a call for listeners to “discard the judgement of others, and embrace their bodies, their minds, and their souls.”This record was created on the stolen land of the Bunorong people of the Kulin Nation. We'd like to pay our respects to elders both past, present and emerging, and to acknowledge that sovereignty was never ceded. It's a privilege to be able to live, create and flourish on this country. Always was, always will be, aboriginal land.

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.