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Tec-9
Straight From Tha Ramp!!!

Straight From Tha Ramp!!!
Straight From Tha Ramp!!!Straight From Tha Ramp!!!Straight From Tha Ramp!!!Straight From Tha Ramp!!!

Artists

Tec-9

Catno

ARM 038

Formats

1x Vinyl LP Album Limited Edition Numbered Reissue

Country

Italy

Release date

Aug 29, 2021

Genres

Hip Hop

A NOLA bounce music classic

Limited to 250 copies, released by Armabillion Recordz - ARM038

Media: Mi
Sleeve: M

$110*

*Taxes included, shipping price excluded

A1

Cash Money T.V.

A2

Where Ya From

A3

Riding High

A4

Bounty Hunter

A5

Flexin

B1

Loose Lips Sank Ships

B2

Who's That Nigga

B3

Straight From Tha Ramp

B4

Uptown, Uptown

B5

They All Die

B6

Local 580 Burn Em Like A Bitch

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GODTET is the brainchild of Australian Instrumentalist and producer Godriguez. Praised for his production on ‘The Great Mixtape’ for Sampa the Great. GODTET see’s Godriguez stepping back into the live format of production with his band plus Simon Mavin (Hiatus Kaiyote) & Ziggy Zeitgeist (30/70).After releasing the self-titled debut in late 2017 GODTET have quickly become a staple within the emerging Australian Jazz & Instrumental scene with adulation streaming in from all parts of the globe. House Shoes called it his “album of the year” whilst Gilles Peterson made an exception in his Melbourne focused WorldWide FM show playing the Sydney outfits music.Whilst in Melbourne playing shows launching the first album, GODTET decided to record the next album “II”, the bulk of which was laid down over one day and was rooted deeply in improvisation, just like the first record.
The fourth solo album from NYC's Tony Simon, The Music Scene comes nearly six years after his much-loved Ninja Tune debut Music By Cavelight. In addition to his solo instrumental work, Simon's made a name for himself producing tracks for the likes of Aesop Rock, DJ Signify and Murs among many others, but he undoubtedly has an ear for threading together standalone works from manipulated samples. Apparently, on The Music Scene, Simon found himself more able to elaborate on his compositional approach thanks to his use of Ableton, which saw him shunning the more traditional sampler-driven approach to beat dissection in favour of heavy layering. Ecclecticism lies at the heart of this record, and each track seems to usher in a new multi-dimensional collage, finding an early peak with the crashing drums, grainy brass and soulful electric piano phrases of 'Which One Of You Jerks Drank My Arnold Palmer?". Keeping with the eclectic theme, for a brief moment 'Pity Party' features a spot of whistling that evokes the intro to The Scorpions' 'Wind Of Change', but then it's a track that seems to switch persona repeatedly throughout its four or so minutes. Further standout moments come during the Four Tet-like folk-hop of 'The Daily Routine with its scrunched acoustic guitars and string samples and the exploitation movie referencing 'Hell Camp', which offers timelessly bluesy, trip hop style beats and progressions.

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