زياد الرحباني جوزيف صقر زياد الرحباني جوزيف صقر
بالنسبة لبكرا ... شو؟ = Bennesbeh Labokra... Chou?

Young Jazz Rebels is a Madlib jazz group from the Yesterdays Universe collective. The album Slave Riot, their debut, is an avant-garde free jazz record, a style Madlib has been developing with Young Jazz Rebels since their debut on 2006's Chrome Children compilation with the track “Nino's Deed.”An alternate take of “Nino's Deed” is included on Slave Riot, with 17 others – sounds ranging from heavy rhythm (“The Legends of Mankind”) to electro-jazz fusion (“Forces Unseen”, “Black Freedom”) to the sparse and experimental heard in the 2-part album centerpiece, “Slaved Riot”.Inspired primarily by independent and experimental jazz vinyl from the late 60s, 70s and 80s, Slave Riot begins and ends with audible vinyl static, and it's packaged uniform with Madlib's other new jazz release, Miles Away: CD with heavy-boarded mini-gatefold LP-style package with a “tip-on” gatefold photo and inner sleeve. The double LP is printed with a duo-tone black panther on front & back.Young Jazz Rebels: Melvin Hampson, Juggy Lewis, Lena Hamilton, Mary Jane, Tyrone Crumb, Lamont Parker, Monk Hughes, Brother Dave L. Produced & Arranged by Madlib.

Welcome to our second celebration of the sounds of Bombay Disco, which digs deeper into the recordwallah shops in the bazaars of India. As fans of our first collection will recall, disco arrived in India in 1979, shortly after its mainstream popularity had peaked in the West. Disco songs remained in vogue throughout the subcontinent for a dozen years, in many ways because of the "cabaret scene" or"item number," a mainstay in South Asian cinema that dates back to the 1920s. Back then, these scenes depicted traditional courtesans or nautch (dancing) girls, but by the early 1960s dance sequences became much more surreal, with visuals inspired by Busby Berkley and music infused with jazz, Latin, and rock 'n roll. This tradition continued with an East-meets-West fusion of funk, disco and electro, to the hip-hop and EDM influences popular in South Asian films today.

Doug Carn made four records for the Black Jazz label, more than any other artist, and each one topped the previous release's lofty standard. Adam's Apple was his last (1974) album for the label, representing the final note in his staggeringly creative crescendo. It was also the first record without Jean Carn, but Carn and crew (John Conner and Joyce Greene) don't miss a beat on the vocals. And the band is absolutely sick, featuring reedman Ronnie Laws and fellow Black Jazz recording artist Calvin Keys on guitar, and led by Carn's increasingly electronic forays on various keyboards. The result is a record that brings to mind Herbie Hancock's Headhunters, electric Miles, maybe even Earth, Wind, and Fire (Carn covers EW&F's 'Mighty Mighty'), but all overlaid with an uplifting gospel vibe. To quote Pat Thomas' liner notes (which feature extensive quotes from Doug Carn himself), 'Adam's Apple is more energetic, funky, and futuristic than Carn's earlier Black Jazz work. In short, sublime.' Newly remastered