Open today: 11:00 - 18:00

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Placebo
Live 1971

Live 1971
Live 1971Live 1971Live 1971Live 1971

Artists

Placebo

Catno

WRJ005 LTD

Formats

1x Vinyl LP Album Limited Edition

Country

Switzerland

Release date

Apr 19, 2019

Genres

Jazz

Styles

We Release Jazz presents the first ever live performance and recording by Marc Moulin’s sought-after jazz-funk band Placebo, captured at Casino Kursaal during the Montreux Jazz Festival in 1971 and never released before. June 17th, 1971, the Montreux Riviera, its delightful microclimate and postcard scenery, its fabled music history and the luscious wines of the region. A dream setting for Marc Moulin to lead his ensemble on a 26 minutes+ jazz adventure - Nick Kletchkovsky on bass, Freddy Rottier on drums, Johnny Dover on bass clarinet, Alex Scorier on soprano saxophone, and Richard Rousselet on flugelhorn.

Media: Mi
Sleeve: M

$46*

*Taxes included, shipping price excluded

A

Showbiz Suite (Part 1)

B

Showbiz Suite (Part 2)

Other items you may like:

Amsterdam based SMANDEM. proves that an incredible skill set and open minded approach causes genre distinctions to blur into pure energy. Inspired by the likes of Herbie Hancock, Christian Scott and Wayne Shorter as well as Travis Scott and Drake, the four-headed collective produces a sound that is deeply rooted into jazz tradition, while never restrained to any style boundaries or formal etiquette. They strive forward and explore ways to marry their delicate ability with present-day popular music. With a strong friendship at core, their dynamic live-show feels like it effortlessly accelerates from lush harmonies into colourful mixtures of dense rhythms and fierce improvisation. Including features by Herbie Hancock flutist Elena Pinderhughes (USA) and NL based talent Pink Oculus, their debut EP called ‘Self-Titled’ - set to release on Super-Sonic Records early 2021 - exemplifies best what this free-spirited mandem is up to.SMANDEM. - consisting of Aäron Bouwman (Bass), David Nino van der Grinten (Keys), Rafael Devante Sinay (Guitar) and Kick Woudstra (Drums) - first met during their studies at the Conservatory of Amsterdam. They were quick to find out that they shared similar perspectives and were meant to play with each other. Their stunning synergy even got picked up by Kelly Coker, dean of New York’s famous New School of Jazz and Contemporary, quoting; “There’s never a feeling of trying too hard and that made it an absolute joy to listen to you. You guys don’t sound like Weather Report, but feel like Weather Report ''. Getting support from several local Amsterdam platforms such Super-Sonic Jazz, SMANDEM. sets out on a journey of becoming a vanguard in modern day music.A philosophy that describes one the fundamentals of the band's music and personalities is; “There’s often confusion about the meaning of the words tradition and history. The tradition has a history, which we study to keep the tradition alive. The jazz tradition to us means communicating a mixture of styles and cultures. We share a love for present-day popular music and strive to create a sound that combines all of our influences into something relevant.”
January 12th, 2020, a Sunday night in Toronto - Matthew Tavares and Leland Whitty (of BADBADNOTGOOD fame) are reunited at Burdock for a live improvised Jazz session. The pair are joined on stage by bassist Julian Anderson - Bowes and drummer Matt Chalmers as part of Burdock’s Piano Fest, an annual event at the city's brewery and music hall.Two days later an email from Matthew hits Mr Bongo's inbox... "I think it turned out amazing, brought some really nice recording gear and it sounds almost like a studio record, thought I'd share. Moments definitely get to the jazzier side but there is some spiritual moments that are so far out". The Bongo office were all blown away by this free-flowing session, one which sounded like a well-rehearsed set at the end of a long tour, rather than a one-take improvised assembly. The chemistry between the musicians is magical. The tight friendship and musical connection between Tavares and Whitty are self - evident, however, Chalmers and Anderson - Bowes have a great contribution to make too. They act as the solid foundation that leaves Tavares and Whitty free to roam and explore moments of darkness and light, intensity and beauty. From the first time of hearing this intimate session, we knew this had to be shared.The same quartet feature on Matthew Tavares & Leland Whitty's 2020 album 'Visions'. The plan to promote 'Visions' was to tour, with each night comprising a uniquely improvised set. Sadly due to world events, this couldn't happen, but for now 'January 12th' is a snapshot of the wizardry that would have been from four amazing musicians at the top of their game.
Kamasi Washington composed and produced the original score for Becoming, the four time Emmy-nominated film that provided an intimate glimpse into the life of Michelle Obama. Produced by Netflix Originals, Becoming documented a moment of profound change for the former First Lady, not only for her personally but for the country she and her husband served over eight impactful years in the White House. Washington, who joined the project in its embryonic stages, provides the powerful musical backdrop.
High Pulp returns with a brand new installment of covers on Mutual Attraction Vol 2, a spiritual jazz journey, interpreting arrangements by Arthur Verocai, Cortex & Casiopea. The 8-piece fusion band pays homage to tracks and artists that have woven themselves into the DNA of the High Pulp.