Open today: 11:00 - 18:00

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Björk
Utopia

Utopia
UtopiaUtopiaUtopiaUtopiaUtopiaUtopiaUtopiaUtopiaUtopiaUtopiaUtopiaUtopiaUtopia

Artists

Björk

Catno

tplp1381

Formats

2x Vinyl LP Album

Country

UK & US

Release date

Nov 24, 2017

Utopia is the ninth studio album by Icelandic singer-musician Björk. It was primarily produced by Björk and Venezuelan electronic record producer Arca, and released on 24 November 2017 through One Little Independent Records in the United Kingdom and The Orchard Enterprises in the United States. The album was acclaimed by music critics for its production, songwriting and Björk's vocals, and later received a nomination for Best Alternative Music Album at the 61st Annual Grammy Awards, becoming Björk's eighth consecutive nomination in the category.

Media: Mi
Sleeve: M

$60*

*Taxes included, shipping price excluded

A1

Arisen My Senses

5:01

A2

Blissing Me

5:04

A3

The Gate

6:34

B1

Body Memory

10:12

B2

Losss

7:13

C1

Utopia

4:45

C2

Saint

4:43

C3

Courtship

4:52

C4

Sue Me

4:57

D1

Tabula Rasa

4:42

D2

Claimstaker

3:19

D3

Paradisia

1:42

D4

Features Creatures

4:41

D5

Future Forever

4:46

Other items you may like:

Guitarist and Producer Godriguez (producer of Sampa the Great's “The Great Mixtape") marshalled together some of the best musicians of the new generation in Sydney: A head priest of the Cuban Ifa religion, the step-son of Australia’s greatest ever funk and soul musician, Australia's leading drummer in this new generation and a deeply emotionally gifted pianist from New Zealand. These disparate backgrounds culminate with incredibly sensitive musical and emotional connections to form GODTET.From Godriguez: "I’ve always wanted to make a triptych. I got obsessed with Francis Bacon and then wanted to make a musical triptych. When GODTET started I wanted there to be no preconceptions, the music and the sessions. I just wanted it to become what it was going to become and go where it was gonna go. I definitely didn’t plan a three part oeuvre. But here we are…GODTET III feels like the distillation of the GODTET sound. It feels like the essence and definition of our sound... for now. Whilst the whole GODTET concept for me is about organic development and evolvement and to remain always searching, this album feels like the end of an era. Like everything is now for many people I think. Its been 3 years of very intensive playing, recording and gigging. The first record felt like an explosion of our minds meeting for the first time even though we’d all played together for years in various contexts. An explosive release from the lack of freedom in the musical contexts we’d previously been involved in.The second record found us exploring improvising with a sample loop as a launch pad to playing. Marrying the worlds of beat production and improvised band. Then in reaction to only improvising we recorded a through-composed suite. GODTET III saw us return to the beginning where we recorded purely improvised with no sample or composed or preconceived launchpads. It is interesting comparing the first record and GODTET III. Both came from open improv but are quite different. You really can hear a distinct subconscious concept of what the GODTET sound is or has become. You can hear 3 years of intensive playing, recording and gigging. GODTET III is the final album of this initial triptych where the GODTET sound was forged. It is the end of an era. What best sums up GODTET is the fact that at the very same sessions for III we simultaneously were playing and improvising a brave new world for GODTET. You will hear this soon too. But for now let us relish in what has been the culmination of 3 intensive years as we present you the final piece of the GODTET triptych: GODTET III."
Sensational – that’s Frank Hatchett! These words can be found on many of the 16 albums credited to the legendary jazz dancer, choreographer, and teacher to the stars. At the height of his fame in the 1980s, Hatchett’s classes in New York City at the wildly popular Hines-Hatchett studio (now renamed the Broadway Dance Centre) attracted celebrities including Madonna, Brooke Shields, Olivia Newton-John, and Naomi Cambell. Though he hated flying, preferring to cruise in a Corvette from Massachusetts to Manhattan, each week saw Hatchett jet setting for classes and performances around the world.In the highlights compiled on this expansive double LP set, the sounds of Hatchett’s albums run the gamut from disco and funk in the 1970s to electro and proto-techno as they glide through the ’80s. Like many albums in the dance instruction genre, nearly one third of the songs are covers (Prince, Paul Hardcastle, Earth, Wind & Fire, Billy Cobham) and most clock in at a brisk 2:30 – the ideal length for Hatchett’s classes or his students’ recital performances. Fans of library music will find a similar focus on immaculate performances, while the tightly coiled drum breaks, Afro-Cuban rhythms, and thumping 808s will send rare groove collectors into a state of head nodding bliss.